Wednesday, February 08, 2017

The Subject of the Poem is at Large

The door to the earthen safe
            blown
from its hinges, rounds
                          of bright shoots
fired in the getaway:
          crocus-yellow, violet.
               Topaz sap
on broken branches, red-winged blackbirds
above fresh and salt water marshes.

The dogs are out, tracking a lion long
gone. Out like a lamb. Sprung.

South Florida Poetry Journal, Issue 4, Feb 2017






Monday, February 06, 2017

Just Another Egyptian Sunset















If everyone you knew lived and died
by the swell and writhe of one great river
and everything arrived by water: grain,
spotted cattle, giant stones for builders,
the workers’ daily beer and bread,
tall spears for soldiers, the dead,
even fire, flaring in a brazier on the deck
of a kitchen boat: naturally you’d believe
that all things float, even in the Sinai desert
you’d understand that only a boat, sailed
by a god, could move the sun across the sky.


Manhattan Review 2013

Sunday, December 18, 2016

Hyphen

All the lives inside the compound.

A red moon stalled over Kilimanjaro.

Forces joined.
Truces brokered.

Everything you've tried to mend
broken.



appeared in Salamander Magazine, Winter 2016-2017, Issue #43

Tuesday, November 08, 2016

November Moth

There’s another way to live,
a different outcome.

Stage a sodden ballet
every night
of the darkening month.

Crawl up out of freezing earth
to spin gray and white
above the wet dead
leaves.

            Land pale kisses
on the surface of everything.

Engage in an all-out romance
with porch lights 
and windows, asters
and ivy:
             all things
living, non-living and dying:
            
Stash your eggs
                        in the crevice
of a parallel 
world.

South Florida Poetry Journal, Issue 4, Feb. 2017


Friday, May 20, 2016

Six Blind Men and an Elephant















Flank

Skin of a dragon, stretched across stones.
I walk it on my hands: tender soles. Something
has been written here only the blind
can read. A brief history of pain,
names of the tallest trees.
I press my palms to the wall.
Every welt has meaning.

Tusk

The long hard core of the soul
          spirals
out of the belly of the world.

Broken bracelets, two curved arms.

Trumpet
for the moon.
                                      Sorrow's spear.

Lonely bone.

Ear

If there was a way to wear air, it would be
this thin and this thick, it would move our every
move before we thought it, king-robe, impala
weave, ostrich hair. It would be skin
reversed: that soft, that responsive.

There is a great lake where animals drink.
This is the moss on the stones they lick.

Leg

No tree so heavy, so worn and warm.
No shade, no leaves, no branching arms.
Mysterious torso, stripped
to the waist, no navel.
Old bedding.
Gold pole.

Tail

Where is the bell to this cord?
I pull but no chime,
only
the wind falling down
a deep cave, angry and treble
and sere.

Trunk

I do not touch, I am touched.
Out of the dark a soft,
gentle and intelligent.

This hand is also a mouth, a face,
two holes for eyes,
endless
waist.

I am not blind enough to see
what it sees.

This is the longing of the hungry
whole, how it reaches,
how it feeds.

From Mauled Illusionist and also appeared in Manhattan Review

Monday, May 09, 2016

Problem

A man takes a train from Durango to Yosemite,
traveling 185 miles an hour. On an island off Labrador
a woman sets out on bicycle and foot, a book
in her pack. He plans to sleep his entire journey;
she has packed binoculars, a journal, a sandwich.
They met, once; he has hung her face in the corridor
of his thoughts, a stolen painting he sometimes visits.
It's his book she carries. His signature jumps
where she made him laugh, and he asked her again
to spell her name, and she gave it. In his seat,
he twists his ring and watches a flutter in passing,
a grove of aspen in a mahogany canyon.
How many hours before each arrives?

Cortland Review 2001

Monday, February 15, 2016

Earth in Love with Moon


In you I have buried the flags of my hopes,
staked my claim to every place we touched.
Close enough to be a danger 
you turn, holding the light in your arms.
Always in retreat. Until you return.